The Good Friday Agreement is widely celebrated as a political success story, one that has brought peace to a region that was once synonymous around the globe with political violence. The truth, as ever, is rather more complicated than that. In many respects, the era of the peace process has seen Northern Irish society change almost beyond recognition. Those incidents of politically motivated violence that were once commonplace have become thankfully rare and a new generation has emerged whose identities and interests are rather more fluid and cosmopolitan than those of their predecessors. However, Northern Ireland continues to operate in the long shadow of its own turbulent past. Those who were victims of violence, as well as those who were its agents, have often been consigned to the margins of a society still struggling to cope with the traumas of the Troubles. Furthermore, the transition to 'peace' has revealed the existence of new, and not so new, forms of violence in Northern Irish society, directed towards women, ethnic minorities and the poor. Northern Ireland a generation after Good Friday sets out to capture the complex, and often contradictory, realities that have emerged more than two decades on from the region's vaunted peace deal. Across nine original essays, the authors offer a critical and comprehensive reading of a society that often appears to have left its violent past behind but at the same time remains subject to its gravitational pull. -- .

This volume brings together a range of writers from different academic disciplines and different locations to provide an engaging and accessible critical exploration of one of the most revered and reviled bands in the history of popular music. The essays collated here locate The Clash in their own explosive cultural moment of punk's year zero and examine how the group speaks from beyond the grave to the uncanny parallels of other moments of social and political crisis. In addition, the collection considers the impact of the band in a range of different geopolitical contexts, with various contributors exploring what the band meant in settings as diverse as Italy, England, Northern Ireland, Australia and the United States. The diverse essays gathered in Working for the clampdown cast a critical light on both the cultural legacy and contemporary resonance of one of the most influential bands ever to have graced a stage. -- .

The Good Friday Agreement is widely celebrated as a political success story, one that has brought peace to a region that was once synonymous around the globe with political violence. The truth, as ever, is rather more complicated than that. In many respects, the era of the peace process has seen Northern Irish society change almost beyond recognition. Those incidents of politically motivated violence that were once commonplace have become thankfully rare and a new generation has emerged whose identities and interests are rather more fluid and cosmopolitan than those of their predecessors. However, Northern Ireland continues to operate in the long shadow of its own turbulent past. Those who were victims of violence, as well as those who were its agents, have often been consigned to the margins of a society still struggling to cope with the traumas of the Troubles. Furthermore, the transition to 'peace' has revealed the existence of new, and not so new, forms of violence in Northern Irish society, directed towards women, ethnic minorities and the poor. Northern Ireland a generation after Good Friday sets out to capture the complex, and often contradictory, realities that have emerged more than two decades on from the region's vaunted peace deal. Across nine original essays, the authors offer a critical and comprehensive reading of a society that often appears to have left its violent past behind but at the same time remains subject to its gravitational pull. -- .

Once held up as a 'poster child' for untrammeled capitalist globalisation, the Irish Republic has more recently come to represent a cautionary tale for those tempted to tread the same neoliberal path. The crash in the world economy had especially grave repercussions for Ireland, and a series of austerity measures has seen the country endure what some consider the most substantial 'adjustment' ever experienced in a developed society during peacetime. In this collection of essays, a range of academics, economists and political commentators delineate the reactionary course that Ireland has followed since the ignominious demise of the Celtic Tiger. They argue that the forces of neoliberalism have employed the economic crisis they caused to advance policies that are in their own narrow interests, and that the host of regressive measures imposed since the onset of global recession has fundamentally restructured Irish society. The book provides a critical account of a society that has more often than most mapped out the pernicious cycle of boom and bust that remains an essential hallmark of contemporary capitalism. -- .

For five short years in the 1980s, a four-piece Manchester band released a collection of records that had undeniably profound effects on the landscape of popular music and beyond. Today, public and critical appreciation of The Smiths is at its height, yet the most important British band after The Beatles have rarely been subject to sustained academic scrutiny. Why pamper life's complexities?: Essays on The Smiths seeks to remedy this by bringing together diverse research disciplines to place the band in a series of enlightening social, cultural and political contexts as never before. Topics covered by the essays range from class, sexuality, Catholicism, Thatcherism, regional and national identities, to cinema, musical poetics, suicide and fandom. Lyrics, interviews, the city of Manchester, cultural iconography and the cult of Morrissey are all considered anew. The essays breach the standard confines of music history, rock biography and pop culture studies to give a sustained critical analysis of the band that is timely and illuminating. This book will be of interest to scholars and students in the fields of sociology, literature, geography, cultural and media studies. It is also intended for a wider audience of those interested in the enduring appeal of one of the most complex and controversial bands. Accessible and original, these essays will help to contextualise the lasting cultural legacy of The Smiths. -- .

Ireland appears to be in the throes of a remarkable process of social change. The purpose of this book is to systematically scrutinize the interpretations and prescriptions that inform the deceptively simple metaphor of the "Celtic Tiger." The standpoint of the book is that a more critical approach to the course of development being followed by the Republic is urgently required. The essays collected here set out to expose the fallacies that drive the fashionable rhetoric of Tigerhood. Four of these fallacies--that Ireland has cast off the chains of economic dependency, that everyone is benefiting from the economic recovery, that personal freedom and liberty are at an unprecedented level for all citizens, and that Ireland is also experiencing a period of strong cultural renaissance--are vigorously challenged.

This volume brings together a range of writers from different academic disciplines and different locations to provide an engaging and accessible critical exploration of one of the most revered and reviled bands in the history of popular music. The essays collated here locate The Clash in their own explosive cultural moment of punk's year zero and examine how the group speaks from beyond the grave to the uncanny parallels of other moments of social and political crisis. In addition, the collection considers the impact of the band in a range of different geopolitical contexts, with various contributors exploring what the band meant in settings as diverse as Italy, England, Northern Ireland, Australia and the United States. The diverse essays gathered in Working for the clampdown cast a critical light on both the cultural legacy and contemporary resonance of one of the most influential bands ever to have graced a stage. -- .

Once held up as a 'poster child' for untrammeled capitalist globalisation, the Irish Republic has more recently come to represent a cautionary tale for those tempted to tread the same neoliberal path. The crash in the world economy had especially grave repercussions for Ireland, and a series of austerity measures has seen the country endure what some consider the most substantial 'adjustment' ever experienced in a developed society during peacetime. In this collection of essays, a range of academics, economists and political commentators delineate the reactionary course that Ireland has followed since the ignominious demise of the Celtic Tiger. They argue that the forces of neoliberalism have employed the economic crisis they caused to advance policies that are in their own narrow interests, and that the host of regressive measures imposed since the onset of global recession has fundamentally restructured Irish society. The book provides a critical account of a society that has more often than most mapped out the pernicious cycle of boom and bust that remains an essential hallmark of contemporary capitalism. -- .